The first season I spent in Catalonia, I hadn't been painting consistently in a while. Feeling stilted, I stopped trying to make something happen on the page and simply sat and watched the sky above the Mediterranean Sea. This was the sky Dali knew, and if you watched it long enough, every cloud became an image. In my case, every cloud became a face. I bought a 100-page sketchbook and started doing quick, black painting-sketches of faces. I kept going until I'd filled the sketchbook. Whatever was stilted opened and flowed. This was the transition series that opened the way for a new season of art in my life.
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